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West County Weekly (CA)
April 18, 2003
Section: news
Edition: Final
Page: x06
Column:Community Theater


'VAMPIRES' HAVE BITE IN LA VAL'S DARK, MANIC SHOW
JACK TUCKER, STAFF WRITER

THE FIRST WORDS of "The Vampires" burst from the off-stage darkness of La Val's Subterranean Theatre with the ominous rush of compressed energy like a locomotive bearing down on you from the mouth of a tunnel:

"I'M UNHAPPY!"
Beth Donohue, as CC, comes into the light in a forbidding all-black outfit, soon to be shortened into a frilly short skirt underneath. She turns on her husband, Ian, a drama critic, played by Patrick Dooley.

In the space of those fewng minutes, the tone and color of Harry Kondoleon's play is set: Shrill. Delivered at a whirlwind pace. Tunnel-dark in its manic comedy, yet oddly light as the train of quixotic situations unfolds.

Ian's brother, Ed (Dave Maier), a carpenter turned playwright, has his self-styled "masterpiece" trashed by Ian.

Canned as a critic when one of his vitriolic reviews caused an actor to commit suicide, Ian decides he's a vampire. He sinks his fangs into his wife's neck.

Ed's supportive wife Pat (Kimberly Wilday) appears and it's fang-time again - figuratively, that is - as she and CC verbally get at each other's throats.

Ed and Pat's 13-year-old daughter, Zivia (Nina Auslander), hooked on heroin and mysticism, marries the guru (Robert Martinez) of an ashram where she's placed for detox.

A high-spirited directorial debut by Shotgun member Joanie McBrien, "The Vampires" has a well-chosen cast, good performances, great costume design by Marilyn Stanley, lots of laughs along with the sting of Kondoleon's wildly flung word darts. But to what effect? An absurdist romp? No problem. The real underside of middle America, its dreams, its follies? Big problem.

Plays at 8 p.m. Thursdays, Fridays and Saturdays; 7 p.m. Sundays, through May 11, Tickets are $18 regular, $12 for seniors, youths and TBA members, La Val's is at 1834 Euclid, Berkeley. Call .

A DIFFERENT UNIVERSE: "Annie," playing weekends through May 24 at Contra Costa Civic Theatre, is about as far from "The Vampires" as it could get without orbiting Venus - which stands for love, of course.

The depression-era musical, based on the comic strip "Little Orphan Annie," is huge both in its cast, including loads of talented kids, and its massive Matt Flynn-designed sets.

Thomas Meehan's book is sometimes overly sugary and cutesy, but overall it provides a family-oriented plot with character development, conflict, humor and heart. The script also provides a look back at historical figures of the times, including FDR and some of his cabinet.

The music by Charles Strouse, with lyrics by Martin Charnin, includes such hits from its 1977 Broadway run as "Easy Street" and "Tomorrow."

Jan Brown is the director, with musical direction by Joanne Gabel, and choreography by Anjee Norgaard.

Standouts in an energetic and well-focused cast include Kelsey Wunderle in the title role, and Ken Ray as Oliver "Daddy" Warbucks, who made the ultimate sacrifice for his role by shaving his head to match the billionaire of the old strip. Good show!

One of the funniest highlights of the show is provided by Phil Reed as the oily host of a wonderfully created radio talk show of the era.

Daniel Morgan as Rooster and his girlfriend Lily (Alexa Eurich), along with the nasty Miss Hannigan (Carol DeChaine), manage a rousing turn to the tune of "Easy Street."

Bob Knop is a believable Franklin D. Roosevelt, with his long cigarette holder at a 45-degree angle as he met with members of his cabinet, including a real-life look-alike Louis Flynn as the trenchant Harold Ickes, secretary of the interior.

Annie's dog Sandy, superbly played by Rufus, an Irish Wolfhound making his stage debut, proved that you can teach an old pooch new theatrical dogma.

"Annie" plays at 8 p.m. Fridays and Saturdays, and at 2 p.m. Sundays, April 20 and 27 and May 4 and 11, through May 24. Tickets are $20 regular, $12 for youths 16 and under. Contra Cost Civic Theatre is at 951 Pomona Ave., El Cerrito. Call , or for group sales at .

SOLO RAP AT THE REP: "Surface Transit," a collection of monologues written and performed by Sarah Jones, begins previews tonight at Berkeley Repertory Theatre's Thrust Stage, 2025 Addison St.ng is set for Wednesday, April 23. Call for times and ticket prices.

Recognized as an up-and-coming African American poet and spoken-word performer, Jones weaves savvy political humor and arresting language to craft this body of work detailing the disparate yet cosmically linked lives of eight idiosyncratic New Yorkers.

Hailed as "Off-Broadway's goddess of the quick change," Jones dissects prejudice through hilariously provocative stories. Tony Taccone is directing.

PINOLE GOES IMPROV: East Bay Improv is a group of quick-witted, off-the-cuff performers that has been creating spontaneous comedy for audiences in the Bay Area for the past six years.

Now they are "crashing" - their word, not mine (but I can believe it) - Pinole Community Playhouse one weekend every month.

Next shows coming up are April 25 and 26, and May 9 and 10. Shows start at 8 p.m. and tickets are only $5. The playhouse is at 601 Tennent Ave., Pinole. Call or see the Web site at www..

Send theater items of interest to Jack Tucker c/o the West County Times, 4301 Lakeside Drive, Richmond, CA 94806; e-mail jtucker; fax to , or call . Include a contact name and number.


Photo. The undead don't stalk Contra Costa Civic Theatre's production of the upbeat family musical "Annie," which stars Kelsey Wunderle as the eponymous orphan and Rufus as Sandy. (Lou Parada/Contributed).


Copyright (c) 2003 West County Weekly.

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